National Museum
The Buddhaisawan Chapel was built in 1787 to enshrine an important northern Buddha image called the PranBuddha Si Hing, and is now within the grounds of the museum. The interior walls are painted with exceptionally fine murals showing sense from the life of the Buddha, while the building itself is an outstanding example of early Bangkok religious architecture.
Tamnak Daeng, or “red hourse,”was the residence of an elder sister of King Rama I. It was moved from Thonburi by King Rama II to the Grand palace compound and later, in the fourth reign, to its present location in the museum grounds. Furniture and other items of the early Bangkok period are displayed inside
The international Museum’s collection covers the whole range of art found in the country, religious and secular, fine and decorative, Thai and otherwise. The Prehistoric Gallery, for instance, includes Neolithic tools and pottery dating as far back as 10,000 bc, in addition to painted pots and bronze objects unearthed at excavations in the northeast. Numerous creations of the pre-Thai Srivijaya, Dvaravati and Khmer kingdom s are also displayed, as well as those of the early Thai settlements of the far north. Thai Buddhist art encompresses images in the stone, bronze and terracotta from the Sukhothai , Ayutthaya and Rattanakosin (Bangkok)periods, together with suchreligious items as illustrated scripture books, manuscript cabinets and votive plaques. Open daily except Moncays and Turesdays, the museum also contains a large selection of miscellaneous arts, among them Thai and Chinese ceramics, theatrical costumes, textiles, furniture funeral chariots, palanquins, elephant howdahs, weapons, puppets and assorted objects used in royal household. Guided tours in English are offered on certain days of the week by the national Museum Volunteer Group.
Royal Barge Museum
The Royal Barge Museum, on Klong Bangkok Noi near the point where it enters the river, displays but a few of the spectacular craft that were once used for royal processions along the Chao Phraya. Such processions began in Ayutthaya when, according to one foreign observer, as many as 200 barges were involved, propelled by chanting, uniformed oarsmen “all rowing in synchronized movement and rhythm.” The most impressive of the contemporary barges is the gilded Suphanahongsa 29 in which the king rides, over 150 feet long and requiring a crew of sisty-four, with a prow in the shape of a mythical, swan-like bird. Another, 149 feet long, is adorned with a many-headed naga, or sacred serpent, while other figureheads include horned dragons, garuda, and characters from the Ramakien. Royal barge processions today are rare, being held on occasions like Bangkok’s Bicentennial in 1982, the Koing’s 60th and 72nd birthdays and the King’s Golden Jubilee in 1996
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